
Explore by Class Track

Keynotes
"Being Alive Twice": Imagery as Witness
Sunni Brown Wilkinson
Imagery in poetry is like magic. As writers, we pull from the five senses to immerse the audience in a moment, to witness what it means to be human in this time and in this space. Imagery is the portal that connects the poet's world with the reader's, and strong imagery can change the way we see something forever. A friend of the Chinese poet Tu Fu said of imagery, “It is like being alive twice.” Sharp imagery doesn't just relate experience, it is the experience, one that connects us as humans in every age.
Condemning Perfection, Embracing Flaws
Alexandra Rowland
The temptation of aiming to write a "likeable" character or an "inspirational" story is often hugely appealing -- but this is a dangerous trap. What is it that actually reaches readers' hearts? How do we construct narratives that resonate with people and matter to them even after they've closed the book? How do we get readers to fall in love with our characters? And, most importantly: What does this knowledge of humanity force us to embrace within ourselves?

Three-hour Workshops
Choosing the Right POV
Bryan Young
Every story lives or dies by who the protagonist and POV character is. Sometimes, it feels obvious, other times you can pick any character in the narrative and tell an equally thrilling story. This class shows the different options of choosing the right POV and what POV to actually write in.
Beginner
Craft
How to Write: According to Amazon Reviews
Callie Stoker
As writers, what can we learn from feedback? From critique? We look at real Amazon Reviews and mine them for the things readers love and hate most in the books they read. Some are funny, some are angry, others hold some golden clues to what we can catch in our own novels before releasing them into the jungle.
Beginner
Craft
Triangulating Your Characters: How Focusing on Character Relationships Drives Conflict and Plot
Lisa Mangum
Lisa Mangum begins every plotting session by drawing a triangle and identifying the protagonist, the antagonist, and the alternate. With that “character relationship triangle,” she builds out the relationships that will inspire the conflict, character goals, story themes, and plot points.
Intermediate
Craft
Opening Pages That Lead to Yes
Angie Hodapp
If your sample pages aren’t leading to full-manuscript requests, this workshop is for you. We’ll explore what agents look for in opening pages and learn how to craft beginnings that keep agents turning pages. Bring your first two pages printed and ready to share!
Intermediate
Publishing
Funding Your Dreams: The Author's Roadmap to Kickstarter Success
C.R. Langille
In today's day and age, Kickstarter has transformed the way indie authors launch their books, bringing in ways to cover production cost and more! Sylvia Langille and Caryn Larrinaga will demystify the entire process and cover all the steps to running a success Kickstarter campaign!
Beginner
Publishing
The Power of Audiobooks: Continuing the Oral Tradition
Emma Faye
Storytelling is the oldest art form; it’s how we’ve entertained and educated ourselves since the beginning. This session celebrates audiobooks as a continuation of the oral tradition and explores how authors can write stories that speak volumes.
Intermediate
Publishing
Funding Your Dreams: The Author's Roadmap to Kickstarter Success
Caryn Larrinaga
In today's day and age, Kickstarter has transformed the way indie authors launch their books, bringing in ways to cover production cost and more! Sylvia Langille and Caryn Larrinaga will demystify the entire process and cover all the steps to running a success Kickstarter campaign!
Beginner
Publishing

Writing & Story Craft
Color-Coded Self-Editing
Talysa Sainz
Self-edit your manuscript, tighten up your language, and cut down on unnecessary words. Focus on the problems in your syntax—which words to delete, what words are weak, how to keep POV and tense consistent, where to use action beats or dialogue tags, and when your sentences are too sticky and need to be rewritten.
Intermediate
Experimentalism: Writing like Music
Stacy Graven
Guide writers through the nuances of subgenres and new age/ modern work. Focus on the nuances of music as words. Focus on characters musically adept, interested in music, have a sing-songy personality, express dynamism in action, and so on. Focus on writing climactic rise and fall in a plot line that feel like music.
Intermediate
Taming Your Word Count
Sarah Maloy Bailey
Words, words, words. Most writers finish a manuscript with more than they need, and an unchecked word count can hold a story back. In this presentation, you’ll learn why word count matters and the most effective techniques for tightening both story and prose—whether you need to cut 50,000 words or 500.
Intermediate
Gray or Grey: Building an Exceptional Author Style Sheet
Rachelle Funk
Author style sheets are essential to ensure that you have consistency in your writing, from personal decisions on punctuation preferences to capitalization and spelling variations and everything in between. This class covers everything you need to know about style sheets, the benefits of them, and how to create your own.
Intermediate
Epic First Chapters – How to Win a Contest or Catch an Agent!
Lindsay Hiller
Want to write a first chapter that instantly draws in your readers? You have exactly one chapter to leave your mark. Come learn the essential elements that will ground your reader into your scene, attach them to your character, and launch them into a story that makes your reader desperate to get their hands on chapter 2.
Intermediate
Writing Through the Pain: Crafting Powerful Themes Through Character Struggle
Lindsay Hiller
Great stories resonate when characters face the same inner battles readers do. Explore how to build powerful themes by taking characters on an emotional journey—from a deep-seated misbelief to hard-earned truth. Learn how to build character growth by layering lessons that culminate in a climactic moment of transformation.
Advanced
Beauty of Beats and Free Indirect Speech
Katie Chambers
Deepen your characterization, strengthen your prose, and craft immersive scenes using action beats and free indirect speech. Learn what they are, when to use them, and pitfalls to avoid. With clear examples and before-and-afters, you’ll master tools that enhance tension, interiority, and narrative distance.
Intermediate
Turning Wonder into a Working Magic System
Jodi L. Milner
Build a magic system you can actually use. This class guides you step-by-step through defining rules, costs, limits, and story impact so you leave with a clear, original magic system tailored to your world, genre, and characters—ready to write immediately.
Beginner
Frankensteining your own plotting system
Jo Schneider
Is your writing process letting you down? It's rare that someone else's plotting system will be the magic bullet to fix your writing problems. Come learn to build your own outlining system using bits and pieces from others.
Beginner
Found Family FTW
Jo Schneider
We all feel like outsiders in one way or another. Found family is how an author can help their characters, and therefore readers, find a place to belong. Our character’s blood ties might not be healthy. The connections they make with people and communities along the way can replace the family they never liked or never had.
Beginner
"They Fight"
Jakob Tice
Wherever there's conflict, there is the potential for violence. For the writer who wants to improve their action sequences, "They Fight" will enhance the development of their fight scenes and understand their place in the world of storytelling.
Beginner
Adding Layers to Stories of Any Length
David Rodeback
Adding layers to our long and short stories, done well, makes a more moving and memorable experience for our readers. We'll look at layering in themes, settings, characters, plots, and emotions in two ways. We'll see how a master did it, in a very short story we'll read and analyze, and we'll practice doing it ourselves.
Intermediate
Writing Faith in Fiction with Depth and Respect
David Rodeback
Principles and techniques for writing characters encountering their own and others’ faith; the potential for layered conflict and stakes; in seeing beyond dogma to how believers live their lives; how to write respectfully and avoid stereotypes; and how and why to ensure we’re telling stories, not preaching sermons.
Intermediate
Most of Us are Plansters
Chelsey Ortega
Writing a story without a plan can lead to an unfinished manuscript and a frustrated writer. Sticking to your outline can make the story feel forced if your characters want to take a different path. Chelsey walks you through how to combine the two writing styles to create the best version of your story and characters.
Beginner
9 Questions for World Building
Chelsey Ortega
World Building is an important part of writing a story. Planning the basic parts of your story's world before you write draft 1 will make the writing process much easier. Chelsey provides 9 questions to ask yourself when creating your world.
Beginner
Writing Animals Your Readers Will Love
Caryn Larrinaga
Whether you’re writing from a cat’s POV or creating a sidekick whose adventure kit includes a heartworm chewable, animal characters deserve the same level of development as human ones, but they often require a different approach. Get tips and strategies for creating relatable, loveable, engaging animals for your stories.
Beginner
Storymaster Cheat Codes
Callie Stoker
There are two sides to creating a written work: the writing itself and the storytelling. This presentation will define the elements to story that quickly enhance storytelling in your writing, the things that keep a reader turning pages, elicit emotional responses, and spark imagination.
Beginner
Writing with Dramatic Irony
Talysa Sainz
Learn how to use linguistic tools to write believable narration and dialogue filled with dramatic irony—write the villain the reader hates but your character trusts, the romance the reader foresees while your character is still unsure, the friend your character hates but the reader understands.
Intermediate
Navigating the Murky Middle Paradox
Sarah Maloy Bailey
The murky middle of a novel is simultaneously the hardest to write and the most important to write well. In this presentation, learn why this section of the book is so challenging to write and what to do about it, so you can navigate your murky middles with as little misery as possible.
Intermediate
Extreme Outlining – How to Combine Multiple Beat Sheets to Flesh Out Your Story
Lindsay Hiller
Do you love plotting? Are you already familiar with beat sheets but want to use them at a deeper level? Come learn how to combine multiple plotting methods to create in-depth outlines that flesh out your plot, character arcs, and character relationships.
Advanced
Beneath the Surface: Deepening Character Interiority
Katie Chambers
Strong plots move a story, but interiority makes readers care. In this session, learn to reveal a character’s thoughts and emotions through precise vocabulary, emotion-driven action beats, internal monologue, and free indirect speech. Gain tools to craft believable, compelling interior lives.
Intermediate
Character Backstory vs the Murky Middle
Jo Schneider
Find your way through the murky middle of your novel by discovering your character’s backstory before you start writing. What happened to your character before the book can be more important than what happens on the page. Learn how to create that background and use it to fuel conflict, action, and emotion in your novel.
Beginner
Worldbuilding? You'll Need Some Goverment.
David Rodeback
A whirlwind survey of basic political theory and comparative government for nonspecialists, emphasizing many possible points of tension and conflict, and how to decide how much government your story needs and which parts.
Beginner
Ghosts and Spirits from Around the World
Caryn Larrinaga
Paranormal encounters make for great story fodder, and ghostly traditions extend far beyond our borders. Take a world tour of the concept of lingering after death and explore what “haunted” means across the globe while learning to incorporate non-Western lore into your fiction with authenticity, impact, and respect.
Beginner
Starting the Novel: From Idea to Story
Alexandra Rowland
Where do ideas come from? What's the difference between an idea and a story, and how do you develop the former into the latter? Good news: All of this can be represented pseudo-mathematically. Better news: You'll walk out of this workshop with at least 5 new story concepts to fall in love with.
Beginner
Writing Comic Books and Graphic Novels
Angie Hodapp
In this class, Angie will share (1) how to approach visual storytelling, (2) why this approach is different from prose-based fiction, (3) scriptwriting basics, (4) how to work with an artist, and (5) the pros and pitfalls of writing for hire in established worlds.
Beginner

Marketing
Getting Started with Facebook Ads
A.M. Luzzader
Never run a Facebook ad before? This session is a simple, step-by-step walkthrough of creating your first ad—from setting up your account to choosing your audience to launching your campaign. We'll cover just the essentials so you can leave ready to run your first ad with confidence.
Beginner
Amazon Ads for Beginners
A.M. Luzzader
New to Amazon advertising? This session is for you. We'll cover setting up your first campaign, the different ad types, when to use each, and key terms like ACoS, impressions, and bid strategies so you can navigate the dashboard with confidence.
Beginner
Advanced Amazon Ads
A.M. Luzzader
Already running Amazon ads but struggling to make them profitable? This session goes beyond the basics to cover bidding strategies, how Amazon's algorithm affects your ads, and a personal framework for optimizing campaigns. Come ready to rethink your approach and take your advertising to the next level.
Advanced
Author Branding: Building a Brand Readers Trust
Bernadette Marie Soehner
Learn what author branding really is, why it matters, and how it impacts discoverability, reader loyalty, and sales. This session breaks down the core elements of a strong brand and helps writers at any stage create clarity, consistency, and reader trust.
Beginner

Publishing
The Author-Editor Relationship: Two Sides of the Same Coin
Sarah Maloy Bailey
A good editor-author relationship can do so much more for writers than fix their commas. In this presentation, you'll get a rare glimpse into the editor-author relationship and all it can do for you as editor Sarah Bailey and published author Emily Gurney discuss their journey together.
Intermediate
What Every Author Should Know About Audiobooks
Emma Faye
Audiobooks are now mainstream. In this session, professional narrator and producer Emma Faye guides authors through the entire audiobook production process, from platforms and casting to working with narrators and managing timelines and budgets. You’ll leave with a clear understanding of the audiobook process.
Intermediate
Why Are Audiobooks So Expensive? Demystifying the Cost of Production
Emma Faye
Audiobooks are booming, but the price tag deters many authors. Professional narrator, Emma Faye, will break down what really goes into creating a high-quality audiobook. From hours of recording to equipment and training to editing and proofing, you’ll learn how to make wise, informed choices when you’re ready for audio.
Intermediate
Editing Service Contracts and Rates
Rachelle Funk
Do you know what to look for in a service contract when you are ready for the editing phase of your book—something with clear expectations where both parties are protected? This class will inform you about what should be included in an editing contract and what rates you can expect from skilled editors.
Intermediate
What's in a Publishing Contract
Matt Belford
Using available online templates, literary agent Matt Belford will discuss and detail what each paragraph in a sample publishing agreement means.
Intermediate
Traditional vs. Indie vs. Hybrid Publishing
Bernadette Marie Soehner
Breaking down the realities of traditional, independent, and hybrid publishing so writers can make informed choices for their careers. Attendees will explore pros, cons, timelines, income models, and control levels across each path, then assess which approach best aligns with their goals, work style, and long-term vision.
Beginner
How to Make Your Query Package Stand Out
Callie Hansen
Learn how to craft a compelling query letter, sharpen your synopsis, and polish your sample pages so your manuscript shines without overcomplicating the process.
Beginner
Publishing Math
Matt Belford
What are the finances of publishing? This topic will dive into the math of publishing to discuss what royalty earnings might actually look like and why "earning out" isn't the barometer of success most consider it to be.
Beginner

Practical Application
“Writing Through the Fog & Quieting the Inner Critic”
Kollin Kennedy
“Writing Through the Fog & Quieting the Inner Critic” helps writers navigate anxiety, depression, and self-doubt while rediscovering clarity and creative confidence. Learn gentle strategies, grounding tools, and empowering reframes to write with courage—even in the hardest seasons.
Beginner
Writing Productivity for Distracted Writers
Jodi L. Milner
Feeling stressed instead of productive? This class helps writers identify their unique strengths and personality patterns, then build a writing practice that works with them, not against them. Learn how alignment, not pressure, leads to sustainable progress.
Beginner
Build your author website step-by-step
Jodi L. Milner
Not sure what your author website should include or how to make it feel like you? This class walks you through the three essential pages every author site needs and how to make them clear, engaging, and authentic. You’ll also learn simple blog strategies and where to include a reader magnet to connect with readers.
Intermediate
Building a Writing Career That Lasts
Bernadette Marie Soehner
A book is an achievement—longevity is a strategy. Learn the stages of an author career, how to avoid burnout, grow sustainable income, and scale wisely. Walk away with a clear, practical roadmap for long-term success at any stage.
Intermediate
Perfecting the In-Person Pitch
Ronald Gerber
I will offer tips on how to structure a successful in-person pitch and explain what information agents and editors are hoping to get out these meetings with writers. Then I’ll invite 2-3 volunteers up to recite their pitch so I can give constructive feedback. At the end, I will open the floor to questions from the audience.
Beginner

Ask an Expert
It’s More than Drag Race: Writing Queer Characters
Shauna Brock
It is no longer taboo to write Queer characters. However, the annual LAMBDA report on Queer representation marked a drastic downturn in the number of Queer characters in media, due in large part to political influences. What does it mean to write authentic, Queer characters in spite of outside pressure?
Beginner
Beyond the Bloomsbury Dream: What Does it Mean to Build Writing Community
Shauna Brock
To have the discipline to write a novel, one has to be able to sit in a room alone. However, nothing is created in a vacuum. So, how do we go about creating a writing community? How do we create our own Bloomsbury Group? How do we foster growth, help with critique and not harm each other as writers?
Beginner
Dress for Success
Jakob Tice
Often, we overlook the importance that one's appearance can play. The clothes one wears, how they do their hair/makeup, and even the jewelry they own are opportunities for characterization. This panel will teach attendees the importance of the character's "look" and what that could mean for their story.
Beginner
Embrace the Violence
Jakob Tice
It's best when writers can write what they know. The truth is, many authors write about violence without having experienced it to the degree they want to describe. In a safe environment, I will guide the attendees on how to bridge the gap to understand the effects of human violence.
Beginner
Witches and Spells, Oh My! - Writing Pagan Characters
Shauna Brock
Witches are fun to write - they represent the dark side of the moon, the shadow, or the hippie who can be relied on for eye-rolling content. They have spells and demons are always following them. But, what does it mean to create realistic pagan characters who aren’t casting spells but living day-to-day lives in this world.
Beginner
Making Your Fictional High School Real
Chelsey Ortega
The halls of a high school are a popular backdrop for many stories. Often incorrect stereotypes end up in the story that make educators raise their eyebrows. Chelsey uses her background in education to walk you through making your fictional high schools more realistic.
Intermediate
Just One More Step: The Brutal Psychology of Survival
C.R. Langille
Hollywood likes to depict survival situations as high-octane montages with nothing but heroic bravery and determination. Yet, the reality of survival is a raw, harrowing experience. You'll learn about real-life situations and how the people survived made it to the end.
Beginner

Poetry
Poetic Ties - how the author's voice participates
Stacy Graven
This presentation is a comparison between various poets, including my own poetry. We will nail down how each one has a distinct signature, a distinct voice that makes a person see who wrote it without a name attached.
Intermediate
Form as Freedom: How Structure Can Strengthen Your Voice
Kollin Kennedy
Form as Freedom: How Structure Can Strengthen Your Voice explores how poetic forms—like sonnets, ghazals, blank verse, and more—can expand a free-verse poet’s expressive range. Attendees will learn how poetry structure sharpens imagery, deepens emotion, and strengthens your unique voice.
Intermediate
Cinematic: The 'Mind's Eye' Writing
Stacy Graven
Tailored to writing with not only imagery in mind, but all 5 senses. This gives a reader the ability to close their eyes and experience the story as a whole with their mind's eye.
Intermediate
“Writing Through the Storm: Poetry as Emotional Processing”
Kollin Kennedy
“Writing Through the Storm: Poetry as Emotional Processing” explores how poetry can help transform overwhelming emotions into clarity and healing. Learn grounding techniques, reflective writing tools, and creative practices that turn inner turbulence into meaningful, expressive language.
Beginner
Singing to Each Other
Sunni Brown Wilkinson
Lyric poetry has endured for centuries, from Greece's Sappho down to contemporary American poets like Ada Limon. It has endured because it engages not just the human mind but the human body. It taps into the primal expression of song while also providing intricate designs of sound and repetition that enchant, mystify, haunt, and awaken us. From nursery rhymes to haiku to ballads to odes, humans owe much of their understanding of the world and each other to the singing we do in our poems. How do we capture more music in our own work? How do we connect sounds and emotions? We'll dive into examples and prompts that help us add music, depth, and mystery to our poetry.
Intermediate







